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The rondo or rondeau is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes (generally called "episodes", but also referred to as "digressions" or "couplets"). Some possible patterns include: ABACA, ABACAB, ABACBA, or ABACABA (with the letter 'A' representing the refrain).
Characters, History & Standards
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form rondeau music french century composers period opera 17th also italian baroque movement classical english within use used ritornello late
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| vocal arias | instance of | most frequently in the context of opera arias but also in 17th century sacred works | 0.80 | text |
| choruses within oratorios | instance of | most frequently in the context of opera arias but also in 17th century sacred works | 0.80 | text |
| cantatas | instance of | most frequently in the context of opera arias but also in 17th century sacred works | 0.80 | text |
| in his op.1 no.9 | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| Allegro ma non presto | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| and to contain a rondeau within a rondeau in the final couplet as in his opus 1 number 1 | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| Aria.Spread of the rondeau form internationallyThe music of French Baroque composers like Lully | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| Rameau spread across Europe | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| influenced composers across the continent beginning in the late 17th century | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| Aria | instance of | Leclair was one of the earliest composers to change metre and tempo within a couplet | 0.80 | text |
| Rondo | related to Character type | Allegro | 0.60 | section |
| Rondo | related to Character type | Many | 0.60 | section |
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