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Joseph Heinrich Beuys (/bɔɪs/ BOYSS; .mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}German: [ˈjoːzɛf ˈbɔʏs]; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art…
Art & Works
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beuys art work joseph beuys's performance new also sculpture german artist museum social de time first germany düsseldorf felt works
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Joseph Beuys | Born | Joseph Heinrich Beuys (1921-05-12)12 May 1921 Krefeld, Germany | 1.00 | infobox |
| Joseph Beuys | Children | 2 | 1.00 | infobox |
| Joseph Beuys | Died | 23 January 1986(1986-01-23) (aged 64) Düsseldorf, West Germany | 1.00 | infobox |
| Joseph Beuys | Education | Kunstakademie Düsseldorf | 1.00 | infobox |
| Joseph Beuys | Known for | Performance, sculpture, visual art, sociophilosophy, theory of art | 1.00 | infobox |
| Joseph Beuys | Notable work | How to Explain Pictures to a Dead Hare (1965) Fettecke (1965) | 1.00 | infobox |
| Joseph Beuys | Spouse | .mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marria… | 1.00 | infobox |
| performance art may be considered 'laboratories' for a new pedagogy since | instance of | Contemporary movements | 0.80 | text |
| felt | instance of | The imagined story of him being rescued by Tartar herdsmen perhaps is an explanation for his adopting materials | 0.80 | text |
| fat.Beuys experienced severe depression between 1955 | instance of | The imagined story of him being rescued by Tartar herdsmen perhaps is an explanation for his adopting materials | 0.80 | text |
| 1957 | instance of | The imagined story of him being rescued by Tartar herdsmen perhaps is an explanation for his adopting materials | 0.80 | text |
| Georg Baselitz | instance of | considers this performance pivotal for the reception of German avant-garde art in the United States since it paved the way for recognition of not only Beuys's own work but also… | 0.80 | text |
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