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Lining of paintings

The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining. Most often a new support will be added directly to the back of an existing canvas. In…

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Previous methodologies

Theodore Henry FieldingPumiceImpasto
3 related topics

Current methodologies

CottonPolyesterFiberglass
3 related topics

Adhesives and their uses

Night WatchBeeswaxDammar
3 related topics

Controversies and modern research

LouvreNational GalleryVacuum tables
3 related topics

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Overview

Purpose

Agents of deterioration

Previous methodologies

Current methodologies

Adhesives and their uses

Controversies and modern research

Advanced semantic analysis

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Map overview Semantic statistics

Lining of paintings

Nodes26
Edges25
Triples35
Avg. degree1.92
Density0.076923
Components1

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Lining of paintings

Top relations

related to history · 13
Lining of paintings → Alternative, Beginning, Comparative Lining Conference, Overarching, Prior, Some, The, These, This, Today, Ultimately, Wax-resin, While
related to Controversies and modern research · 7
Lining of paintings → Debates, In, Louvre, National Gallery, Percival-Prescot, There, While Fielding's
related to Minimal intervention · 5
Lining of paintings → In, Joyce Hill Stoner, Modern, One, Paul Ackroyd
is a · 1
Lining of paintings → process of conservation science and art restoration used to strengthen

Important terminology Word statistics

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Important terminology

lining canvas painting damage may used paintings artwork process use conservation adhesive century new treatment deterioration different agents original back

Entity relationships Subject–Predicate–Object triples

SubjectPredicateObjectConfidenceSrc
Lining of paintingsis aprocess of conservation science and art restoration used to strengthen0.90text
BEVA 371instance ofWhen paired with a flexible adhesive0.80text
polyester strip linings cause less deformation of the painting planeinstance ofWhen paired with a flexible adhesive0.80text
dammarinstance ofmixtures incorporating resins0.80text
masticinstance ofmixtures incorporating resins0.80text
or balsams such as Venice turpentineinstance ofmixtures incorporating resins0.80text
were soon found preferableinstance ofmixtures incorporating resins0.80text
Percival-Prescot suggested the use of nonlining alternatives signaling a transition in conservation approachesMinimal interventionOne of the most important debates surrounding the lining of paintings discusses the process's necessity in the first placeinstance ofscholars0.80text
puncturesinstance ofTests have been conducted in order to see different adhesive agents resistance to damage from physical forces0.80text
frictionsinstance ofTests have been conducted in order to see different adhesive agents resistance to damage from physical forces0.80text
Lining of paintingsrelated to Controversies and modern researchThere0.60section
Lining of paintingsrelated to Controversies and modern researchWhile Fielding's0.60section

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    Min side: 3
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