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Musique concrète (.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}French pronunciation: [myzik kɔ̃kʁɛt]; lit. 'concrete music') is a type of music composition that utilizes recorded sounds as raw material.…
History, Technology, Music & Art
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sound music musique concrète schaeffer sounds tape pierre de one work schaeffer's synthesiser new using studio french including used created
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Max de Haas | instance of | Pierre Henry's composing talent developed greatly during this period at the GRMC and he worked with experimental filmmakers | 0.80 | text |
| Jean Grémillon | instance of | Pierre Henry's composing talent developed greatly during this period at the GRMC and he worked with experimental filmmakers | 0.80 | text |
| Enrico Fulchignoni | instance of | Pierre Henry's composing talent developed greatly during this period at the GRMC and he worked with experimental filmmakers | 0.80 | text |
| and Jean Rouch | instance of | Pierre Henry's composing talent developed greatly during this period at the GRMC and he worked with experimental filmmakers | 0.80 | text |
| with choreographers including Dick Sanders | instance of | Pierre Henry's composing talent developed greatly during this period at the GRMC and he worked with experimental filmmakers | 0.80 | text |
| Maurice Béjart | instance of | Pierre Henry's composing talent developed greatly during this period at the GRMC and he worked with experimental filmmakers | 0.80 | text |
| continuous speed variation | instance of | A range of new sound manipulation practices were explored using improved media manipulation methods and operations | 0.80 | text |
| frequency modulation | instance of | to enable complex synthesis processes | 0.80 | text |
| amplitude modulation | instance of | to enable complex synthesis processes | 0.80 | text |
| and modulation via an external source | instance of | to enable complex synthesis processes | 0.80 | text |
| cross-synthesis | instance of | This synthesiser was well-adapted to the production of continuous and complex sounds using intermodulation techniques | 0.80 | text |
| frequency modulation but was less effective in generating precisely defined frequencies | instance of | This synthesiser was well-adapted to the production of continuous and complex sounds using intermodulation techniques | 0.80 | text |
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