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Historically informed performance

Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived.

Early instruments, Singing & Recovering early performance practices

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Early instruments

115 related topics

Singing

28 related topics

Recovering early performance practices

17 related topics

Overview

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Overview

Early instruments

Singing

Layout

Recovering early performance practices

Issues

Reception

Sources

  • ISBN ISBN (identifier)

Bibliography

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Historically informed performance

Nodes200
Edges199
Triples118
Avg. degree1.99
Density0.01
Components1

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Historically informed performance

Top relations

related to Fortepiano · 34
Historically informed performance → Alexei Lubimov, Although, As, Bart, Beethoven, Brahms, Chopin, During, French Revolution, Gary Cooper, Haydn, In, Increasingly, Ingrid Haebler, Kristian Bezuidenhout, Liszt, Malcolm Bilson, Many, Melvyn Tan, Mozart
related to Reception · 13
Historically informed performance → All, Bach, British, Early Music, HIP, In, Music, Peter Hill, Roger Scruton, The, The Aesthetics, This, Writing
related to Harpsichord · 11
Historically informed performance → Baroque, Before, Composers, Domenico Scarlatti, Early, François Couperin, Girolamo Frescobaldi, Historically, Johann Sebastian Bach, Many, Renaissance
related to Singing · 10
Historically informed performance → Academic, As, Baroque, Certain, Despite, Early, HIP, In, Maria Callas, The
related to Early instruments · 8
Historically informed performance → As, Baroque, For, Johann Sebastian Bach, Many, Modern, Musical, The

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Important terminology

performance music instruments historically early informed isbn hip musical modern practice historical use century baroque may used harpsichord movement style

Entity relationships Subject–Predicate–Object triples

SubjectPredicateObjectConfidenceSrc
the rebec or the viol were in common useinstance ofother bowed stringed instruments0.80text
the clavichordinstance ofand period instruments orchestras such as Gardiner's Orchestre Révolutionnaire et Romantique have emerged.HarpsichordA variety of once obsolete keyboard instruments0.80text
the harpsichord have been revivedinstance ofand period instruments orchestras such as Gardiner's Orchestre Révolutionnaire et Romantique have emerged.HarpsichordA variety of once obsolete keyboard instruments0.80text
as they have particular importance in the performance of Early musicinstance ofand period instruments orchestras such as Gardiner's Orchestre Révolutionnaire et Romantique have emerged.HarpsichordA variety of once obsolete keyboard instruments0.80text
François Couperininstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
Domenico Scarlattiinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
Girolamo Frescobaldiinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
and Johann Sebastian Bach wrote for the harpsichordinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
clavichordinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
and organ.Among the foremost modern players of the harpsichord are Ralph Kirkpatrickinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
Scott Rossinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text
Karl Richterinstance ofHistorically informed performances frequently make use of keyboard-led ensemble playing.Composers0.80text

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