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The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a…
Art, Legacy & Music
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new art objectivity artists expressionism german painting movement germany weimar works verists sachlichkeit literature neue term 1920s grosz expressionist style
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| New Objectivity | Influenced | Magic realism | 1.00 | infobox |
| New Objectivity | Influences | Post-expressionism | 1.00 | infobox |
| New Objectivity | Location | Weimar Germany | 1.00 | infobox |
| New Objectivity | Major figures | Max Beckmann | 1.00 | infobox |
| New Objectivity | Major figures | Otto Dix | 1.00 | infobox |
| New Objectivity | Major figures | George Grosz | 1.00 | infobox |
| New Objectivity | Major figures | Christian Schad | 1.00 | infobox |
| New Objectivity | Major figures | Rudolf Schlichter | 1.00 | infobox |
| New Objectivity | Major figures | Georg Scholz | 1.00 | infobox |
| New Objectivity | Major figures | Jeanne Mammen | 1.00 | infobox |
| New Objectivity | Years active | 1920s–1933 | 1.00 | infobox |
| Picasso | instance of | Throughout Europe a return to order in the arts resulted in neoclassical works by modernists | 0.80 | text |
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