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In music theory, negative harmony is a concept that every musical note, or more precisely, every interval — and therefore every chord, has a corresponding “negative” counterpart produced by reflecting the pitch across a harmonic axis between the tonic root and its dominant. The idea stems from the theory of polarity of Ernst Levy (1895–1981), presented…
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harmony negative minor theory coleman triad steve collier chord major harmonic jacob tonic zarlino key music concept note polarity term
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Negative harmony | is a | concept that every musical note | 0.90 | text |
| Charlie Parker | instance of | as well as in the work of musicians | 0.80 | text |
| Art Tatum | instance of | as well as in the work of musicians | 0.80 | text |
| John Coltrane | instance of | as well as in the work of musicians | 0.80 | text |
| and Sonny Rollins | instance of | as well as in the work of musicians | 0.80 | text |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | In | 0.60 | section |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | Theory | 0.60 | section |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | Harmony | 0.60 | section |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | Ernst Levy | 0.60 | section |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | Levy's | 0.60 | section |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | Zarlino | 0.60 | section |
| Negative harmony | related to Ernst Levy's A Theory of Harmony | The | 0.60 | section |
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