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Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil (Youth Style)…
Art, Movements, Works & Culture
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| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Max Klinger | Born | (1857-02-18)18 February 1857 Leipzig, Kingdom of Saxony | 1.00 | infobox |
| Max Klinger | Died | 5 July 1920(1920-07-05) (aged 63) Naumburg, Germany | 1.00 | infobox |
| Max Klinger | Known for | Printmaking, painting, sculpture | 1.00 | infobox |
| Max Klinger | Movement | Symbolism, Vienna Secession, Jugendstil, Art Nouveau. | 1.00 | infobox |
| Max Klinger | Notable work | Paraphrase über den Fund eines Handschuhs, Beethoven, The Prime of Greece | 1.00 | infobox |
| Max Ernst | instance of | His work was also admired and a formative influence on later artist | 0.80 | text |
| other surrealist artist | instance of | His work was also admired and a formative influence on later artist | 0.80 | text |
| Franz von Stuck | instance of | The historian Holger Jacob-Friesen illustrates and discusses in detail the influence of Klinger's prints on artist | 0.80 | text |
| Käthe Kollwitz | instance of | The historian Holger Jacob-Friesen illustrates and discusses in detail the influence of Klinger's prints on artist | 0.80 | text |
| Edvard Munch | instance of | The historian Holger Jacob-Friesen illustrates and discusses in detail the influence of Klinger's prints on artist | 0.80 | text |
| Lovis Corinth | instance of | The historian Holger Jacob-Friesen illustrates and discusses in detail the influence of Klinger's prints on artist | 0.80 | text |
| Otto Greiner | instance of | The historian Holger Jacob-Friesen illustrates and discusses in detail the influence of Klinger's prints on artist | 0.80 | text |
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