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The Locrian mode is the seventh mode of the diatonic scale. On the C diatonic it starts with B and uses only the white keys up to the next B which is one octave higher. Its ascending form consists of the tonic, half step, whole step, whole step, half step, whole step, whole step, whole step.
The analysis highlights History, Applications and Art as prominent areas in the source structure around Locrian mode.
Source areas are shown by the number of related topics found in each part of the analysis. Use smaller areas too: they can reveal specialized angles and content gaps.
Smaller areas are not necessarily less important. They contain fewer connections in this analysis and can be useful for finding specialized angles or coverage gaps.
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The extracted context around Locrian mode shows recurring relationship patterns in the source. For example, Locrian mode → American, Benjamin Britten, Carl Maria, Carols, Ceremony, Claude Debussy's Jeux, Erik Satie’s Gnossienne No, Evan Bennett, Gnossienne No, In Freezing Winter's Night, Jean Sibelius, Locrian, Ludus Tonalis, Paul Hindemith, Paul Hindemith's, Prelude, Sergei Rachmaninoff, Symphonic Metamorphosis, Symphony No, Themes Another extracted example is Locrian mode → Amin, BDF, Bdim, CMaj, Dmin, Emin, FMaj, GMaj, Ionian, Locrian, Lydian, The Locrian. Use these groups to spot repeated connection types before inspecting the individual relationships.
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locrian mode scale diatonic music used modern fifth tonic note use octave tone modes one ancient greek term theory modal
TTTA extracted 50 structured relationships around Locrian mode. Examples in this analysis include Locrian mode → is a → seventh mode of the diatonic scale and Locrian mode → is a → only modern diatonic mode in which the tonic triad is a diminished chord. The table shows each extracted connection, where it came from and its confidence.
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Locrian mode | is a | seventh mode of the diatonic scale | 0.90 | text |
| Locrian mode | is a | only modern diatonic mode in which the tonic triad is a diminished chord | 0.90 | text |
| the Phrygian | instance of | In practical terms it should be said that few rock songs that use modes | 0.80 | text |
| Lydian | instance of | In practical terms it should be said that few rock songs that use modes | 0.80 | text |
| or Locrian actually maintain a harmony rigorously fixed on them | instance of | In practical terms it should be said that few rock songs that use modes | 0.80 | text |
| Locrian mode | related to Modern Locrian | Locrian | 0.60 | section |
| Locrian mode | related to Modern Locrian | The Locrian | 0.60 | section |
| Locrian mode | related to Modern Locrian | Ionian | 0.60 | section |
| Locrian mode | related to Modern Locrian | Bdim | 0.60 | section |
| Locrian mode | related to Modern Locrian | CMaj | 0.60 | section |
| Locrian mode | related to Modern Locrian | Dmin | 0.60 | section |
| Locrian mode | related to Modern Locrian | Emin | 0.60 | section |
The concept neighborhoods around Locrian mode bring nearby vocabulary together. In this analysis, examples include Mode, Used and Scale. Use the clusters to find adjacent concepts and terminology that may deserve separate research.
For Locrian mode, one of the stronger structural bridges in this analysis connects Locrian mode with Use. Bridges highlight paths between different parts of the map and can reveal research angles that are easy to miss in a flat list.
TTTA analyzes the structure around Locrian mode to surface related topics, entities, relationships, concept neighborhoods and bridge connections. Use the map to explore areas such as History, Applications & Art, including less central topics that may reveal useful research gaps. Automatically extracted connections are research leads rather than rewritten encyclopedia content.
Source: Wikipedia — Locrian mode · EN edition · Analysis: TopicsToTalkAbout
