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Harriet Korman (born 1947) is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic…
Art, Works & Career
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| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Harriet Korman | Awards | John S. Guggenheim Fellowship, American Academy of Arts and Letters, Pollock-Krasner Foundation, National Endowment for the Arts | 1.00 | infobox |
| Harriet Korman | Born | 1947 (age 78–79) Bridgeport, Connecticut, United States | 1.00 | infobox |
| Harriet Korman | Education | Queens College, Skowhegan School of Painting and Sculpture | 1.00 | infobox |
| Harriet Korman | Known for | Painting, drawing | 1.00 | infobox |
| Harriet Korman | Spouse | John Mendelsohn | 1.00 | infobox |
| Harriet Korman | Style | Abstract art | 1.00 | infobox |
| Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art | instance of | critics | 0.80 | text |
| then most associated with sculpture | instance of | critics | 0.80 | text |
| installation art | instance of | critics | 0.80 | text |
| performance | instance of | critics | 0.80 | text |
| Agnes Martin | instance of | she encountered the contemporary work of artists | 0.80 | text |
| Robert Ryman | instance of | she encountered the contemporary work of artists | 0.80 | text |
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