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Dulzaina

The dulzaina (.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}Spanish: ) is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is…

Overview & Valencian G dolçaina

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Key facts & relationships

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Classification
Wind · Woodwind · Double reed
Hornbostel–Sachs classification
422.112 (Double-reeded aerophone with conical bore)
Other names
xirimita

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Overview

Valencian G dolçaina

Advanced semantic analysis

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Map overview Semantic statistics

Dulzaina

Nodes40
Edges39
Triples13
Avg. degree1.95
Density0.05
Components1

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Dulzaina

Top relations

Classification · 3
Dulzaina → Double reed, Wind, Woodwind
Hornbostel–Sachs classification · 1
Dulzaina → 422.112 (Double-reeded aerophone with conical bore)
Other names · 1
Dulzaina → xirimita

Important terminology Word statistics

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Important terminology

dolçaina sound difficult register instrument first used double octave oboe powerful pressure natural playing play less range tonalities dynamics fingering

Entity relationships Subject–Predicate–Object triples

SubjectPredicateObjectConfidenceSrc
DulzainaClassificationWind1.00infobox
DulzainaClassificationWoodwind1.00infobox
DulzainaClassificationDouble reed1.00infobox
DulzainaHornbostel–Sachs classification422.112 (Double-reeded aerophone with conical bore)1.00infobox
DulzainaOther namesxirimita1.00infobox
the impossibility of executing double or triple staccato force the player to play slower.In order to play in faster temposinstance ofThis and other technical issues0.80text
the musician has to resort to combinations of slurringsinstance ofThis and other technical issues0.80text
keeping in mind the difficulty implied by the change of octaveinstance ofThis and other technical issues0.80text
where there is a big break in-between the registerinstance ofThis and other technical issues0.80text
and in many instances it is more or less impossible to maintain an even tone.One of the dolçaina's special features is the fact that the easiestinstance ofThis and other technical issues0.80text
most natural way of playing a sound happens when the player tongues both the startinstance ofThis and other technical issues0.80text
the end of the noteinstance ofThis and other technical issues0.80text

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