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In Mexico and the Southwestern United States, the carpa (Spanish: "tent", from the Quechua karpa) theater flourished during the 1920s and 1930s. Like its American counterpart vaudeville, performance materials were varied, including comedic sketches, puppet shows, political satire, acrobatics, and dance.
Characters, Art & Measurement
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characters carpas theater artists public later like plays mexico political performances show presented tandas made shows musical emerged country people
| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| Resortes | instance of | and later performers | 0.80 | text |
| Clavillazo | instance of | and later performers | 0.80 | text |
| Carpa | has impact | Curiosity | 0.60 | section |
| Carpa | has impact | Putting | 0.60 | section |
| Carpa | has impact | Those | 0.60 | section |
| Carpa | has impact | The | 0.60 | section |
| Carpa | has impact | Politicians | 0.60 | section |
| Carpa | has impact | Revolution | 0.60 | section |
| Carpa | related to Boom period | The | 0.60 | section |
| Carpa | related to Boom period | This | 0.60 | section |
| Carpa | related to Boom period | As | 0.60 | section |
| Carpa | related to Boom period | These | 0.60 | section |
These clusters group vocabulary that occurs around closely connected concepts in the source material.
Bridges can reveal useful research angles that are easy to miss in a flat list of related terms.