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A bass amplifier (also abbreviated to bass amp) is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers…
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| Subject | Predicate | Object | Confidence | Src |
|---|---|---|---|---|
| the bass guitar or double bass loud enough to be heard by the performers | instance of | is a musical instrument electronic device that uses electrical power to make lower-pitched instruments | 0.80 | text |
| audience | instance of | is a musical instrument electronic device that uses electrical power to make lower-pitched instruments | 0.80 | text |
| trumpet | instance of | upright bass players performing in bars and brothels often found it difficult to be heard by the audience over louder instruments | 0.80 | text |
| James Jamerson | instance of | and was used by studio bassists | 0.80 | text |
| Carol Kaye | instance of | and was used by studio bassists | 0.80 | text |
| it was not powerful enough to be used in a stadium or arena concert | instance of | and was used by studio bassists | 0.80 | text |
| funk bassist Larry Graham | instance of | and it was used by notable players | 0.80 | text |
| Led Zeppelin's bassist John Paul Jones | instance of | and it was used by notable players | 0.80 | text |
| jazz fusion player Jaco Pastorius | instance of | and it was used by notable players | 0.80 | text |
| Jack Casady | instance of | The Versatone was used by well-known bassists | 0.80 | text |
| Carol Kaye.Grateful Dead bassist Phil Lesh used an unusual method of bass amplification which was part of the band's 1970s Wall of Sound | instance of | The Versatone was used by well-known bassists | 0.80 | text |
| stadiums | instance of | combo amps.Bass stacksFor larger venues | 0.80 | text |
These clusters group vocabulary that occurs around closely connected concepts in the source material.
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