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Armida

Armida is the fictional character of a Saracen sorceress, created by the Italian late Renaissance poet Torquato Tasso.

In opera, Armida as a ballet & Gallery

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Overview

Description

In opera

Armida as a ballet

In film

Gallery

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Map overview Semantic statistics

Armida

Nodes77
Edges76
Triples93
Avg. degree1.97
Density0.025974
Components1

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Armida

Top relations

related to Armida as a ballet · 29
Armida → Armide, Ballets Russes, Cesare Pugni, Choreography, Châtelet, Covent Garden, First, Frederick Ashton, Imperial Ballet, Imperial Bolshoi Kamenny Theatre, Imperial Mariinsky Theatre, January, Jules Perrot, Le Pavillon, London, Malcolm Arnold, May, Mikhail Fokine, Music, Nikolai Tcherepnin
related to In opera · 23
Armida → Antonio SacchiniArmide, Antonio SalieriArmida, Antonio VivaldiArmida, Antonín DvořákArmida, Armide, Christoph Willibald, Claudio Monteverdi, Egitto, Francesco BianchiArmida, George Frideric HandelArmida, Gioachino RossiniArmida, Giuseppe SartiArmida, GluckArmida, Jean-Baptiste LullyRinaldo, John DennisRinaldo, Josef MyslivečekRenaud, Joseph HaydnArmida, Judith Weir, Niccolò JommelliArmida, Rinaldo
related to Description · 21
Armida → Armida's, At, Christian, Christianity, Christians, Clorinda, Crusaders, Eventually Charles, Gerusalemme, In, In Tasso's, Italian, Jerusalem Delivered, Many, Rinaldo, Saracen, She, Tasso, Tasso's, The
related to Gallery · 12
Armida → Angelica Kauffman, ArmidaArmida, ArmidaNicolas Colombel, Armide, Francesco Hayez, Gerard HoetCharles Errard, Her Entreaties, Prevent Rinaldo's Departure, Renaud, Rinaldo, Tiepolo, Vain Endeavours
is a · 1
Armida → fictional character of a Saracen sorceress

Important terminology Word statistics

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Important terminology

rinaldo ballet performed november armide saracen garden story choreography music first italian tasso opera film renaud london tasso's also enchanted

Entity relationships Subject–Predicate–Object triples

SubjectPredicateObjectConfidenceSrc
Armidais afictional character of a Saracen sorceress0.90text
the tragic Didoinstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
who committed suicideinstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
and the evil Circeinstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
whom Odysseus abandoned to return homeinstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
but she is considered by many to be more humaninstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
thus more compellinginstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
sympathetic than either of theminstance ofshe rages and destroys her own enchanted garden.She occupies a place in the literature of abandoned women0.80text
Armidarelated to Armida as a balletChoreography0.60section
Armidarelated to Armida as a balletJules Perrot0.60section
Armidarelated to Armida as a balletMusic0.60section
Armidarelated to Armida as a balletCesare Pugni0.60section

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    Min side: 3
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